Wallpaper Window Vista

Source(google.com.pk)

Wallpaper Window Vista Biography

Vista Wallpaper refers to the recording of any image which goes through changes over time to portray the illusion of motion. This is usually accomplished with a camera and a projector or a computer viewing screen which can rapidly cycle through images in a sequence. Vista Wallpaper can be made with either hand rendered art, computer generated imagery, or three-dimensional objects, e.g. puppets or clay figures, or a combination of techniques. The position of each object in any particular image relates to the position of that object in the previous and following images so that the objects each appear to fluidly move independently of one another. The viewing device displays these images in rapid succession, usually 24, 25 or 30 frames per second.Evidence of artistic interest in depicting figures in motion can be seen as early as Paleolithic cave paintings. Animals in these paintings were often depicted with multiple sets of legs in superimposed positions. Because these paintings are prehistoric they could be explained a number of ways, such as the artist simply changing their mind about the leg’s position with no means of erasing, but it’s very likely that they are early attempts to convey motion.

Another example includes a 5,200-year old earthen bowl found in Iran in Shahr-e Sukhteh. The bowl has five images painted along the sides, showing phases of a goat leaping up to nip at a tree.An Egyptian mural, found in the tomb of Khnumhotep and Niankhkhnum, at the Beni Hassan cemetery includes a sequence of images in temporal succession. The paintings are approximately 4000 years old and show scenes of young soldiers being trained in wrestling and combat.

Manhattan-born Anne was christened Dawn Evelyeen Paris on April 17, 1918. Her father died while she was still a baby and she and her widowed mother lived a very meager New York existence at first. At the age of 16 months, the child was already contributing to the household finances as a photographer's model, using a sundry of different monikers including Lenn Fondre, Lindley Dawn and Dawn O'Day. With this source of monetary inspiration, her mother sought work for her daughter in films as well, and at the age of 4, Anne (billed as Dawn O'Day) made her first feature with The Hidden Woman (1922). She showed enough promise in the film Moonshine Valley (1922), as a young girl who manages to reunite her separated parents, that she and her mother made a permanent move from New York to California. Scarce work for such a young child but Anne managed to find it with minor roles in The Rustle of Silk (1923) and The Spanish Dancer (1923) for Paramount Pictures. During her adolescence she often appeared in films as the leading stars' daughter such as Mother Knows Best (1928) with Madge Bellamy, The Sins of a Father (1923) starring Jean Arthur and Liliom (1930) with Charles Farrell. Often times times she would play the female star of the film as a child such as Janet Gaynor's in 4 Devils (1928), Frances Dee's in Rich Man's Folly (1931) and Barbara Stanwyck's in So Big! (1932).

 After a rash of unbilled parts, Anne was used by Vitaphone for a series of 1930s short subjects. By her teen years she had developed before the very eyes of Hollywood into a petite and lovely young brunette. Casting agents took notice. Following roles in Rasputin and the Empress (1932) with the three Barrymores and The Life of Jimmy Dolan (1933) starring Douglas Fairbanks Jr. and Loretta Young, Anne was tested among hundreds of young aspirants and captured the role of Anne Shirley in Lucy Maud Montgomery's classic novel Anne of Green Gables (1934) imbuing the character with all the spirit and charm (not to mention talent) necessary. She officially became a teen celebrity after changing her moniker for the final time in conjunction with the release of the film.

 Prominant misty-eyed ingénue leads came her way as a result playing a swamp girl in Steamboat Round the Bend (1935) alongside Will Rogers and in M'Liss (1936) opposite John Beal, but her resume became littered with such meek "B" level comedies and/or weak dramas as Chasing Yesterday (1935), Too Many Wives (1937) and Meet the Missus (1937), that did little to advance her career. Finally at age 19, she found a role to match her "Green Gables" success playing Barbara Stanwyck's daughter in the classic weeper Stella Dallas (1937). The interaction between the two was magical and both Barbara and Anne were nominated for Oscars for their superb portrayals (Anne was listed in the supporting category). Both lost, however, to Luise Rainer and Alice Brady, respectively.

 During this time of major success, Anne met and eventually married actor John Payne in 1937. The popular Hollywood couple had one child, Julie Payne, who became an actress of her own for a time in the 1970s. Her subsequent career was full of promise but with every quality picture bestowed upon her, such as Vigil in the Night (1940) and The Devil and Daniel Webster (1941), came a faltering one that hurt her career, including Career (1939) and West Point Widow (1941). Especially disappointing was her long-anticipated "Green Gables" sequel Anne of Windy Poplars (1940), which received very lackluster reviews.

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista

Wallpaper Window Vista